Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür made "Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto" available on January 4, 1995. The duration of Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Bach, J.C.: Sinfonias, Vol. 1 by Johann Christian Bach. In terms of popularity, Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Symphony in D Major, Op. 3, No. 1, W. C1: III. Presto by Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Aida, Act II: Triumphal March | Giuseppe Verdi, Hanspeter Gmür, Nurnberf Symphony Orchestra | A♭ Major | 1 | 4B | 0 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo | Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | G Major | 3 | 9B | 91 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Martha: "Ach so fromm, ach so traut" | Friedrich von Flotow, Hanspeter Gmür, Nürnberg Symphony Orchestra, Jose Perez | B♭ Major | 2 | 6B | 131 BPM | ||
Proserpine: Overture in D Major: II. Andante | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Minor | 0 | 7A | 73 BPM | ||
Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | ||
Amadis de Gaule, W. G39: Act II Scene II: Andante gracioso | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F Minor | 0 | 4A | 85 BPM |