Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener made "Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo" available on February 3, 2017. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 14 in Dynastie - Bach Family Concertos by Jean Rondeau. In terms of popularity, Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Bach, JC: Harpsichord Concerto No. 6 in F Minor, W. C73 (formerly attrib. W. F. Bach): III. Prestissimo by Johann Christian Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Pieces de clavecin, Book 1: I. L'Aimable: Gracieux | Joseph-Nicolas-Pancrace Royer, Annamari Polho | F♯ Minor | 2 | 11A | 98 BPM | ||
Sinfonia Iii C Major - I - Allegro Assai | Josef Mysliveček, Czech Chamber Philharmonic | G Major | 3 | 9B | 147 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 84 BPM | ||
Adagio & Fugue | Wilhelm Friedemann Bach, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 114 BPM | ||
Flute Concerto in D Minor, Wq 22: III. Allegro di molto | Carl Philipp Emanuel Bach, Johann Christian Bach, Stephan Mai, Akademie für Alte Musik Berlin | D♭ Minor | 2 | 12A | 155 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Quartet in G Major: III. Vivace | Johann Gottlieb Janitsch, Berlin Baroque Compagney | F♯ Major | 1 | 2B | 139 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Amadis, Prologue: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques, Chœur De Chambre De Namur | F Minor | 2 | 4A | 124 BPM |