Friedrich von Flotow, Hanspeter Gmür, Nürnberg Symphony Orchestra, Jose Perez's 'Martha: "Ach so fromm, ach so traut"' came out on January 1, 2009. The duration of Martha: "Ach so fromm, ach so traut" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Martha: "Ach so fromm, ach so traut"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 20 Most Beautiful Opera Arias, so we believe that "Martha: "Ach so fromm, ach so traut"" is a single. Based on our statistics, Martha: "Ach so fromm, ach so traut"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Martha: "Ach so fromm, ach so traut" by Friedrich von Flotow, Hanspeter Gmür, Nürnberg Symphony Orchestra, Jose Perez is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Fatme, Akt II: "Wie es sich weiter begab" | Friedrich von Flotow, Das Orchester des Landessender Beromünster, Christian Köchting, Ingeborg Hallstein, Franz Crass, Ferry Gruber, Thomas Hemsley, Georg Stern | D Major | 4 | 10B | 111 BPM | ||
Hebrew Slaves Chorus from Nabucco | The London Symphony Orchestra - The London Symphony Chorus | D♭ Major | 0 | 3B | 69 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Serse, HWV 40 / Act 1: Ombra mai fù | George Frideric Handel, Danielle de Niese, The English Concert, Harry Bicket | E Major | 1 | 12B | 58 BPM | ||
Massenet: Werther, Act 3: "Pourquoi me réveiller" | Jules Massenet, Kent Nagano, Anne Sofie von Otter, Jerry Hadley, Orchestre de l'Opéra de Lyon | A♭ Major | 0 | 4B | 181 BPM | ||
Santa Lucia | Teodoro Cottrau, Roberto Alagna, Yvan Cassar, Orchestre national d'île-de-France | E♭ Major | 2 | 5B | 90 BPM | ||
Strauss Jr., J.: Eine Nacht in Venedig, Act 2 Scene 3: No. 9, Lied, "Treu sein, das liegt mir nicht" (Herzog) | Johann Strauss II, Thomas Hampson, Franz Welser-Moest, Franz Welser-Möst, London Philharmonic Orchestra | D Major | 2 | 10B | 98 BPM | ||
Fatme, Akt II: "Ha, ha, ha, ha" | Friedrich von Flotow, Das Orchester des Landessender Beromünster, Christian Köchting, Ingeborg Hallstein, Franz Crass, Ferry Gruber, Thomas Hemsley, Georg Stern | D Major | 3 | 10B | 73 BPM |