"Proserpine: Overture in D Major: II. Andante" by Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca was released on July 1, 2004. With Proserpine: Overture in D Major: II. Andante being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Paisiello: Piano Concertos Nos. 2 and 4 / Proserpine Overture". In this album, this song's track order is #6. Proserpine: Overture in D Major: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Proserpine: Overture in D Major: II. Andante by Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Gil Shaham, Akira Eguchi | D Minor | 1 | 7A | 94 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Vorspiel: Allegro moderato | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | C Minor | 2 | 5A | 88 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Overture in D Major, P. 228: II. Andantino | Franz Danzi, Munich Chamber Orchestra, Howard Griffiths | F Major | 0 | 7B | 131 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Lyric Pieces, Book 1, Op. 12: No. 1, Arietta | Edvard Grieg, Marian Lapsansky | D♭ Major | 1 | 3B | 66 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Giovanni Paisiello: Concerto in Mi bemolle maggiore per mandolino, archi e basso continuo. Allegro maestoso | Giovanni Paisiello, Avi Avital, Carlo Boccadoro, Orchestra I Pomeriggi Musicali | E♭ Major | 2 | 5B | 88 BPM | ||
Keyboard Sonata in C Minor, Kk. 11 | Domenico Scarlatti, Alon Goldstein | D Major | 1 | 10B | 107 BPM |