"Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits)" by Christoph Willibald Gluck, Gil Shaham, Akira Eguchi was released on January 1, 1997. The duration of Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Fiddler Of The Opera". In this album, this song's track order is #3. In terms of popularity, Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Melodie from "Orfeo ed Euridice" (Dance of the Blessed Spirits) by Christoph Willibald Gluck, Gil Shaham, Akira Eguchi having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Sei sonate M.S. 27 (op.3) per violino e chitarra / Sonata n.4 - In A Minor: Allegretto | Niccolò Paganini, Gil Shaham, Göran Söllscher | A Minor | 2 | 8A | 145 BPM | ||
Orfeo ed Euridice (arr. G. Sgambati): Melodie | Giovanni Sgambati, Christoph Willibald Gluck, Anthony Goldstone | D Minor | 0 | 7A | 152 BPM | ||
Souvenir | Franz Drdla, Robert Koenig, Si-Qing Lu | A Major | 0 | 11B | 82 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | ||
Cantabile M.S.109 - In D Major - per violino e chitarra (pianoforte) | Niccolò Paganini, Gil Shaham, Göran Söllscher | A Major | 1 | 11B | 81 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Wedding Cake, Op. 76, R. 124 | Camille Saint-Saëns, Romain Descharmes, Malmö Symphony Orchestra, Marc Soustrot | A♭ Major | 1 | 4B | 75 BPM | ||
Tchaikovsky / Arr. Parhamovsky: Souvenir d'un lieu cher, Op. 42: No. 3, Mélodie | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Samuel Sanders | C Minor | 3 | 5A | 130 BPM |