Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe's 'Elias, Op. 70, MWV A25, Part II: No. 34, Chorus "Der Herr ging vorüber"' came out on August 23, 1993. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées, La Chapelle Royale, Collegium Vocale Gent's "Mendelssohn: Elias" album is number 11 out of 35. On top of that, France appears to be the country where this track was created. In terms of popularity, Elias, Op. 70, MWV A25, Part II: No. 34, Chorus "Der Herr ging vorüber" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elias, Op. 70, MWV A25, Part II: No. 34, Chorus "Der Herr ging vorüber" by Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem, Op. 45: V. Ihr habt nur Traurigkeit | Johannes Brahms, Christiane Oelze, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 0 | 6B | 120 BPM | ||
Stabat Mater: Pro peccatis suae gentis | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | G Minor | 4 | 6A | 79 BPM | ||
Beethoven: Fidelio, Op. 72, Act 1: No. 9, Aria "Komm, Hoffnung, lass den letzten Stern" (Leonore) | Ludwig van Beethoven, Christa Ludwig, Otto Klemperer, Philharmonia Orchestra | E Major | 2 | 12B | 100 BPM | ||
Gloria: Cum Sancto Spiritu | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 121 BPM | ||
Mass in C Major, Op. 86: Gloria: Quoniam tu solus Sanctus | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Mass No. 2 in G Major, D. 167: V. Benedictus | Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | F Major | 2 | 7B | 125 BPM | ||
Requiem, Op. 48: Sanctus | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | E♭ Major | 0 | 5B | 108 BPM | ||
Requiem, K. 626, IV. Offertorium: I. Domine Jesu | Wolfgang Amadeus Mozart, Sybilla Rubens, Annette Markert, Ian Bostridge, Hanno Müller-Brachmann, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 4 | 6B | 120 BPM | ||
Requiem in C Minor: V. Sanctus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 1 | 4B | 72 BPM | ||
Gott ist mein Hirt, D. 706 | Franz Schubert, Ensemble Pygmalion, Raphael Pichon | E Minor | 0 | 9A | 56 BPM |