Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper's 'Mass No. 2 in G Major, D. 167: V. Benedictus' came out on April 14, 2023. With this song being about 5 minutes long, at 4:33, "Mass No. 2 in G Major, D. 167: V. Benedictus" by Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 83 out of 174 in Abbado: Schoenberg – Schubert by Franz Schubert, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mass No. 2 in G Major, D. 167: V. Benedictus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in G Major, D. 167: V. Benedictus by Franz Schubert, Barbara Bonney, Jorge Pita, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messa di Gloria: Credo in unum Deum | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Arpeggione Sonata in A Minor, D. 821: III. Allegretto | Franz Schubert, Andreas Willwohl, Daniel Heide | A Major | 1 | 11B | 115 BPM | ||
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 2 | 2B | 175 BPM | ||
Die Mainacht, Op. 43/2 | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 1 | 5B | 135 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Mass No. 2 in G Major, D. 167: III. Credo | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
Stabat Mater: 10. Fac ut portem | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 0 | 6A | 66 BPM | ||
Frauenliebe und -leben Op. 42: 1. Seit ich ihn gesehen | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 138 BPM | ||
Requiem: XVII. Libera Me | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, London Symphony Orchestra | C Minor | 1 | 5A | 118 BPM |