"Messa di Gloria: Credo in unum Deum" by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi was released on January 19, 2002. The duration of Messa di Gloria: Credo in unum Deum is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Messa di Gloria: Credo in unum Deum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Puccini: Messa Di Gloria / Preludio Sinfonico". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Messa di Gloria: Credo in unum Deum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria: Credo in unum Deum by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi having a テンポ of 97 with a half-time of 48 テンポ and a double-time of 194 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" (Aria) - "Ehi! Rodolfo!" | Giacomo Puccini, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | D Major | 2 | 10B | 130 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Wagner: Tristan und Isolde, Act III: Liebestod. "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | B Major | 2 | 1B | 82 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Tosca: Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM |