"Mass No. 2 in G Major, D. 167: VI. Agnus Dei" by Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper was released on April 14, 2023. With this song being about 5 minutes long, at 5:05, "Mass No. 2 in G Major, D. 167: VI. Agnus Dei" by Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 84 out of 174 in Abbado: Schoenberg – Schubert by Franz Schubert, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mass No. 2 in G Major, D. 167: VI. Agnus Dei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 2 in G Major, D. 167: VI. Agnus Dei by Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Stabat Mater: 6. Vidit suum | Giovanni Battista Pergolesi, Margaret Marshall, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | F Minor | 0 | 4A | 138 BPM | ||
Tito Manlio, RV 738 / Act 3: Sonno, se pur sei sonno | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | C Minor | 0 | 5A | 57 BPM | ||
Peter And The Wolf, Op. 67: Un beau matin printanier,Pierre ouvrit la barrière.. barrière.barrière.).barrière..) - Narration in French | Sergei Prokofiev, Chamber Orchestra of Europe, Claudio Abbado, Charles Aznavour | G Major | 0 | 9B | 156 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM |