Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer made "Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too?" available on February 1, 2009. With Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Phantasmagorilla? No! Phantasmagoria". In this album, this song's track order is #6. Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Phantasmagorilla? No! Phantasmagoria: Nessie?! You came here too? by Efraín Amaya, The Point Chamber Orchestra, Amadis Amaya, Charlene Canty, Sean Donaldson, Anne Rago, Kimberly Steinhauer having a テンポ of 84 with a half-time of 42 テンポ and a double-time of 168 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rorem : "Early in the morning" | Ned Rorem, Susan Graham | C Minor | 0 | 5A | 72 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act I: Vi mnye pisali - Kogda bi zhizn domashnim krugom | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | B♭ Major | 2 | 6B | 96 BPM | ||
Three Japanese Lyrics: III. Tsaraiuki | Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez | D Major | 1 | 10B | 94 BPM | ||
4 Lieder, Op. 27, TrV 170: No. 4, Morgen | Richard Strauss, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | E Major | 0 | 12B | 154 BPM | ||
God Bless America | Irving Berlin, Kevin Maynor, Eric Olsen | F Major | 1 | 7B | 0 BPM | ||
Les Pêcheurs de perles, WD 13, Act I: Je crois entendre encore | Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois | C Major | 0 | 8B | 90 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Magdalena Kozená, Berliner Philharmoniker, Sir Simon Rattle | E♭ Major | 0 | 5B | 80 BPM | ||
Constellations, Act II Scene 2: Pi? Oh, I'm a bit disconcerted | Efraín Amaya, Arts Crossing Chamber Orchestra, Dan Kempson | G Minor | 4 | 6A | 95 BPM | ||
Everything That Ever Was | Sarah Kirkland Snider, Will Liverman, Jonathan King, Renée Fleming | F♯ Major | 0 | 2B | 74 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM |