"Les Pêcheurs de perles, WD 13, Act I: Je crois entendre encore" by Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois was released on May 1, 2018. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 26 in Bizet: Les Pechêurs de perles by Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois, Julie Fuchs. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Les Pêcheurs de perles, WD 13, Act I: Je crois entendre encore is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Pêcheurs de perles, WD 13, Act I: Je crois entendre encore by Georges Bizet, Alexandre Bloch, Orchestre National de Lille, Cyrille Dubois is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacrifice | Clémence de Grandval, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 119 BPM | ||
Stabat Mater, P. 77: O quam tristis | Giovanni Battista Pergolesi, Choeur d'enfants de l'Opéra national de Paris, Gaël Darchen | F Minor | 1 | 4A | 76 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
Offenbach: Les contes d'Hoffman, Act 4: "Belle nuit, ô nuit d'amour" (Giulietta, Niklausse) | Jacques Offenbach, Jennifer Larmore, Jesús López-Cobos, Munich Radio Orchestra | D Major | 1 | 10B | 88 BPM | ||
He Mele Lāhui Hawai'i | The Rose Ensemble, Heather Cogswell, Kristine Kautzman, Dustin Wirth, Mark Dietrich, Jordan Sramek | F♯ Major | 0 | 2B | 75 BPM | ||
Carmen: Act I: Prelude | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | A Minor | 3 | 8A | 128 BPM | ||
Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Minor | 2 | 12A | 83 BPM | ||
Hawai'i Aloha | The Rose Ensemble, Kathy Lee, Jordan Sramek | A♭ Major | 1 | 4B | 110 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 4: No. 5a, Air et Choeur, "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 101 BPM |