Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser's 'Carmina Burana: O Fortuna' came out on April 12, 1990. The duration of Carmina Burana: O Fortuna is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Carmina Burana: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carmina Burana: O Fortuna's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: O Fortuna by Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Suite for Jazz Orchestra No. 2, Op. 50b: No. 2, Waltz | Dmitri Shostakovich, Paavo Järvi, Orchestre Philharmonique de Radio France | C Minor | 2 | 5A | 179 BPM | ||
Manon Lescaut: Donna non vidi mai (Des Grieux) | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | G Minor | 2 | 6A | 112 BPM | ||
Carmina Burana: Fortuna Imperatix Mundi: O Fortuna | Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel | B♭ Major | 4 | 6B | 141 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
J. Paul Getty | Daniel Pemberton | A Minor | 2 | 8A | 139 BPM | ||
Zigeunerweisen, Op.20 | Pablo de Sarasate, Akiko Suwanai, Budapest Festival Orchestra, Iván Fischer | G Minor | 1 | 6A | 80 BPM | ||
La primavera, P. 136: Invocazione | Ottorino Respighi, Miroslav Dvorský, Richard Haan, Vladimir Kubovcik, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | D♭ Major | 2 | 3B | 84 BPM | ||
Schindler's List | Simone Lamsma | D Major | 8 | 10B | 140 BPM | ||
Nina, o sia la Pazza per Amore: Il mio ben quando verrà | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 69 BPM |