Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez's 'Three Japanese Lyrics: III. Tsaraiuki' came out on January 1, 1991. With Three Japanese Lyrics: III. Tsaraiuki being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 32 in the song's album "Stravinsky: Songs". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. In terms of popularity, Three Japanese Lyrics: III. Tsaraiuki is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Japanese Lyrics: III. Tsaraiuki by Igor Stravinsky, Phyllis Bryn-Julson, Ensemble Intercontemporain, Pierre Boulez having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" | Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 110 BPM | ||
Khovanshchina: Golitsin's Exile | Modest Mussorgsky, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: II. Andante moderato | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | F Minor | 0 | 4A | 139 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 94 BPM | ||
Stabat Mater, FP 148: 3. O quam tristis | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F♯ Major | 0 | 2B | 111 BPM | ||
Mathis Der Maler: Vorspiel: Concert of Angels | Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | G Major | 1 | 9B | 103 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Dance of the Earth | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 5 | 9B | 89 BPM | ||
Mahler: Das Lied von der Erde: V. Der Trunkene im Frühling, "Wenn nur ein Traum das Leben ist" (Tenor) | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | A Major | 3 | 11B | 87 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): IV. Pas de deux: Coda | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | G Major | 2 | 9B | 92 BPM |