"Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2000. With Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 6 out of 69. In terms of popularity, Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations On A Rococo Theme, Op.33, TH.57: Tema: Moderato semplice by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): II. Romance (Allegro non troppo) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 97 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
Die Fledermaus, Act III: No. 12, Entracte | Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 77 BPM | ||
Souvenir de Florence, Op. 70 TH 118: II. Adagio cantabile e con moto | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | D Major | 1 | 10B | 85 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace. Allegro animato | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | E♭ Minor | 2 | 2A | 82 BPM | ||
Violin Concerto No.1 (Op.posth), Sz36: 1. Andante sostenuto | Béla Bartók, Janine Jansen, London Symphony Orchestra, Antonio Pappano | G Major | 0 | 9B | 89 BPM | ||
Violin Concerto No.2 In B Minor, Op.7, MS.48: 2. Adagio | Niccolò Paganini, Salvatore Accardo, London Philharmonic Orchestra, Charles Dutoit | D Major | 0 | 10B | 99 BPM |