Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel made "Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges" available on December 2, 2016. With Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel, Pyotr Ilyich Tchaikovsky's "Mussorgsky: Pictures At An Exhibition" album is number 11 out of 17. Based on our statistics, Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Concerto For Orchestra, Sz. 116: 5. Finale (Pesante - Presto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | A♭ Major | 2 | 4B | 127 BPM | ||
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 74 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
In Autumn, Op.11 | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 1 | 8A | 109 BPM | ||
The Gadfly Suite, Op. 97a: III. Folk Feast (National Holiday) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A Major | 3 | 11B | 161 BPM | ||
Capriccio Espagnol, Op.34: 5. Fandango asturiano | Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 3 | 11B | 75 BPM | ||
Symphony No.1 in C Minor, WAB 101: 3. Scherzo | Anton Bruckner, Wiener Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 105 BPM |