"Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied" by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. Since Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #8. In terms of popularity, Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied by Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Act I: Licht uberm see (Amme, Geisterbote) | Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle | E Major | 3 | 12B | 125 BPM | ||
Mahler: Symphony No. 9 in D Major: III. Rondo-Burleske. Allegro assai. Sehr trotzig | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle | A♭ Major | 1 | 4B | 147 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 3. Menuetto (Allegretto) | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | C Minor | 0 | 5A | 66 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte II: Scène I. Une fontaine dans le parc | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Salome, Op. 54, TrV 215 / Scene 4: Salome's Dance of the Seven Veils | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 67 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Pictures at an Exhibition (Orch. Ravel): III. Tuileries Gardens | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Minor | 0 | 2A | 97 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Elektra, Op. 58, TrV 223: "Ich kann nicht sitzen und ins Dunkel starren" | Richard Strauss, Marianne Schech, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM |