Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan's 'Die Fledermaus, Act III: No. 12, Entracte' had a release date set for May 17, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Johann Strauss II, Herbert von Karajan, Josef Strauss, Johann Strauss I's "Karajan A-Z: Johann Strauss - Josef Strauss" album is number 73 out of 77. On top of that, United Kingdom appears to be the country where this track was created. Die Fledermaus, Act III: No. 12, Entracte is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Fledermaus, Act III: No. 12, Entracte by Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
Tritsch-Tratsch Polka, Op. 214 | Nora Mercz, Johann Strauss II, Janos Balint | D Major | 1 | 10B | 76 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": II. Scherzo. Molto vivace - Presto | Ludwig van Beethoven, Zubin Mehta, New York Philharmonic | D Minor | 2 | 7A | 121 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Walkürenritt (Ride of the Valkyries) | Richard Wagner, Gustav Kuhn | G Major | 4 | 9B | 91 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM |