"Everything That Ever Was" by Sarah Kirkland Snider, Will Liverman, Jonathan King, Renée Fleming was released on March 8, 2024. Since Everything That Ever Was is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Show Me The Way". In this album, this song's track order is #17. Everything That Ever Was is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Everything That Ever Was by Sarah Kirkland Snider, Will Liverman, Jonathan King, Renée Fleming having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Die Forelle, D. 550 | Franz Schubert, Renée Fleming, Christoph Eschenbach | D♭ Major | 0 | 3B | 166 BPM | ||
I Grew a Rose | Florence Beatrice Price, Will Liverman, Jonathan King | F♯ Major | 0 | 2B | 74 BPM | ||
Das Verlassene Mägdlein | Hugo Wolf, Barbara Hendricks | A Minor | 0 | 8A | 70 BPM | ||
Zwei Gesänge, Op. 91: II. Geistliches Wiegenlied | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf | C Major | 1 | 8B | 135 BPM | ||
II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | D♭ Minor | 3 | 12A | 95 BPM | ||
Serenade for Strings in E Major, Op. 22/B. 52: IV. Larghetto | Antonín Dvořák, Lucerne Festival Strings, Daniel Dodds | C Minor | 3 | 5A | 76 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
Romeo and Juliet (2nd suite), Op.64ter: Romeo and Juliet, Suite No. 2, Op. 64ter: II. The Young Juliet | Sergei Prokofiev, Antwerp Symphony Orchestra, Elim Chan | D Minor | 2 | 7A | 82 BPM | ||
Strauss, Richard: 4 Lieder, Op. 27: No. 4, Morgen (Version with Violin) | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy, Vilde Frang | G Major | 1 | 9B | 79 BPM |