"Six Lieder, Op.13: 1. Ich stand in dunklen Träumen" by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy was released on January 1, 1997. The duration of Six Lieder, Op.13: 1. Ich stand in dunklen Träumen is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Six Lieder, Op.13: 1. Ich stand in dunklen Träumen's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Robert & Clara Schumann Lieder - Frauenliebe und -Leben". In this album, this song's track order is #18. Six Lieder, Op.13: 1. Ich stand in dunklen Träumen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Lieder, Op.13: 1. Ich stand in dunklen Träumen by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy having a テンポ of 68 with a half-time of 34 テンポ and a double-time of 136 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 1, Ballo e Coro (Presto): Chi mai dell'Erebo | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | G Major | 3 | 9B | 122 BPM | ||
Hai luli | Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung | G Minor | 1 | 6A | 100 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM | ||
Don Giovanni, K. 527 / Act 2: "Vedrai, carino" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
Te Deum in C Major, WAB 45: I. Te deum | Anton Bruckner, Magdaléna Hajóssyová, Rosemarie Lang, Peter-Jurgen Schmidt, Hermann Christian Polster, Rundfunkchor Berlin, Rundfunk Sinfonieorchester Berlin, Heinz Rögner | D Major | 1 | 10B | 117 BPM | ||
Sechs Lieder, Op. 48: Zur Rosenzeit, Op. 48/5 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Sonata per la grand viola, MS 70: I. Introduzione: Larghetto - Recitativo a piacere | Niccolò Paganini, David Aaron Carpenter, Helsinki Philharmonic Orchestra, Vladimir Ashkenazy | C Minor | 0 | 5A | 94 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Six Lieder, Op.13: 6. Die stille Lotosblume | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Trio in G Minor, Op. 17: Scherzo: Tempo di Menuetto | Clara Schumann, Francesco Nicolosi, Rodolfo Bonucci, Andrea Noferini | A Minor | 0 | 8A | 90 BPM |