"Six Lieder, Op.13: 6. Die stille Lotosblume" by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy was released on January 1, 1997. The duration of Six Lieder, Op.13: 6. Die stille Lotosblume is about 3 minutes long, at 3:01. Based on our data, "Six Lieder, Op.13: 6. Die stille Lotosblume" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 29 in the song's album "Robert & Clara Schumann Lieder - Frauenliebe und -Leben". In this album, this song's track order is #23. In terms of popularity, Six Lieder, Op.13: 6. Die stille Lotosblume is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Six Lieder, Op.13: 6. Die stille Lotosblume by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy having a テンポ of 94 with a half-time of 47 テンポ and a double-time of 188 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
V'Adoro, Pupille From Giulio Cesare | George Frideric Handel, Heidi Grant Murphy, Kevin Murphy | F Major | 1 | 7B | 101 BPM | ||
Parting, Op.650a | Howard Blake, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 102 BPM | ||
Fauré: 2 Mélodies, Op. 4: No. 2, Lydia | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | E♭ Major | 1 | 5B | 167 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Frauenliebe und -leben Op.42: 1. Seit ich ihn gesehen | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | B♭ Major | 0 | 6B | 130 BPM | ||
Mazurka No.5 in B Flat, Op.7 No.1 | Frédéric Chopin, Vladimir Ashkenazy | B♭ Major | 1 | 6B | 115 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM |