Gabriel Fauré, Véronique Gens, Roger Vignoles made "Fauré: 2 Mélodies, Op. 4: No. 2, Lydia" available on February 1, 2000. The duration of Fauré: 2 Mélodies, Op. 4: No. 2, Lydia is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Fauré: 2 Mélodies, Op. 4: No. 2, Lydia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Nuit d'étoiles - Mélodies françaises". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Fauré: 2 Mélodies, Op. 4: No. 2, Lydia's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Fauré: 2 Mélodies, Op. 4: No. 2, Lydia by Gabriel Fauré, Véronique Gens, Roger Vignoles having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Turandot, Act 1: "Signore ascolta!" (Liù) | Giacomo Puccini, Kiri Te Kanawa, Kent Nagano, Orchestre de l'Opéra de Lyon | D♭ Major | 0 | 3B | 92 BPM | ||
Fauré: 2 Mélodies, Op. 1: No. 1, Le papillon et la fleur | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Chants d'Auvergne, Vol. 1: No. 3b. Ound'onoren Gorda? (Where Shall We Go?)) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | A Major | 1 | 11B | 98 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: III. Clair de lune | Claude Debussy, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): V. Tendresse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D♭ Major | 0 | 3B | 83 BPM | ||
La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
Carmen, Act II: No.15 Quintette : Nous avons en tête une affaire (Le Dancaïro/Frasquita/Mercédès/Le Remendado/Carmen) | Georges Bizet, Nicolas Rivenq, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM |