"La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta" by Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra was released on November 2, 2009. The duration of La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 12 in COLORaturaS by Diana Damrau, Dan Ettinger, Munich Radio Orchestra. The popularity of La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta by Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra is Vivace (lively and fast), since this song has a tempo of 165 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Madama Butterfly / Act I: Bimba dagli occhi pieni di malia | Giacomo Puccini, Mirella Freni, José Carreras, Philharmonia Orchestra, Giuseppe Sinopoli | F Major | 2 | 7B | 82 BPM | ||
Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
Madama Butterfly / Act 1: America for ever | Giacomo Puccini, Luciano Pavarotti, Michel Sénéchal, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 108 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Tosca / Act I: "Ah! Finalmente!" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 134 BPM | ||
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
Pagliacci: "Stridono lassù" | Ruggero Leoncavallo, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | D Major | 1 | 10B | 86 BPM |