"Hai luli" by Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung was released on January 1, 1996. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 19 in Cecilia Bartoli - Chant d'Amour by Cecilia Bartoli, Myung-Whun Chung. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Hai luli is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hai luli by Pauline Viardot, Cecilia Bartoli, Myung-Whun Chung is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
3 Lieder, Op.12: 2. Liebst du um Schonheit | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 78 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Fauré: 2 Mélodies, Op. 4: No. 2, Lydia | Gabriel Fauré, Véronique Gens, Roger Vignoles | E♭ Minor | 1 | 2A | 123 BPM | ||
La Cenerentola / Act 1: "Un tantin di carità" | Gioachino Rossini, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Minor | 1 | 5A | 61 BPM | ||
Six Lieder, Op.13: 1. Ich stand in dunklen Träumen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 0 | 5B | 68 BPM | ||
Fauré: 3 Songs, Op. 8 : No. 1, Au bord de l'eau, "S'asseoir tous deux" (Andante quasi allegretto) | Gabriel Fauré, Véronique Gens, Roger Vignoles | F♯ Minor | 0 | 11A | 88 BPM |