"II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek)" by Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange was released on March 8, 2024. The duration of II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. In terms of popularity, II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of II. Shepherd's Wildest Dreams (After Violin Concerto No. 1, Op. 8, RV 269, II. Largo, Arr. by Wolf Kerschek) by Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange to be Andante (at a walking pace) because the track has a tempo of 95 テンポ, a half-time of 48テンポ, and a double-time of 190 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Argentum | Dani Howard, Royal Liverpool Philharmonic Orchestra, Michael Seal | A Major | 2 | 11B | 141 BPM | ||
Norma, Act I: Casta Diva (Arr. for Cello & Orchestra by Jan Vogler) - Radio Edit | Vincenzo Bellini, Jan Vogler, BBC Philharmonic, Omer Meir Wellber | D Major | 5 | 10B | 140 BPM | ||
Gypsy Songs, Op. 55, B. 104: No. 4, Songs My Mother Taught Me (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | A Minor | 0 | 8A | 108 BPM | ||
The Winter Allegro Variation (From The Four Seasons, RV 297/Op. 8, No. 4, Arr. for Piano by Svetoslav Karparov) | Antonio Vivaldi, Gabriele Bagnati | F Minor | 2 | 4A | 81 BPM | ||
Sollima: Il concerto perduto: II. Andante (After Vivaldi's Cello Concerto, RV 787 "Per Teresa") | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro | F♯ Major | 1 | 2B | 65 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Wandrers Nachtlied II, D. 768 (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | B♭ Major | 0 | 6B | 166 BPM | ||
Valse Sentimentale | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D♭ Major | 0 | 3B | 107 BPM |