Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths's 'Love's Labour's Lost, Op. 28a: III. Dumaine's Poem' came out on November 3, 1998. With Love's Labour's Lost, Op. 28a: III. Dumaine's Poem being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 14 in Finzi: Clarinet Concerto / Five Bagatelles / Three Soliloquies / Romance by Gerald Finzi, Howard Griffiths. In terms of popularity, Love's Labour's Lost, Op. 28a: III. Dumaine's Poem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Love's Labour's Lost, Op. 28a: III. Dumaine's Poem by Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths is Andante (at a walking pace), since this song has a tempo of 105 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | E♭ Major | 0 | 5B | 79 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Intimations of Immortality, Op. 29: Oh joy! That in our embers | Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill | C Minor | 0 | 5A | 78 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède. Décidé | Olivier Messiaen, Robert Plane, Gould Piano Trio | E Major | 1 | 12B | 94 BPM | ||
Intimations of Immortality, Op. 29: But there's a Tree, of many, one | Gerald Finzi, James Gilchrist, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, David Hill | E♭ Minor | 0 | 2A | 55 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Pictures At An Exhibition (Orch. Ravel): Promenade II | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 80 BPM | ||
Piano Concerto No. 6 In C Major, H. 49 X: III. Rondo Moderato | Benjamin Frith, Royal Northern Sinfonia, John Field | C Major | 1 | 8B | 105 BPM | ||
La boîte à joujoux, L. 128: III. La bergerie à vendre | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 72 BPM | ||
Concerto for Piano and Orchestra No. 9 in E flat major: I. Allegro | Wolfgang Amadeus Mozart, Imogen Cooper, Royal Northern Sinfonia | E♭ Major | 1 | 5B | 134 BPM |