"Rückert-Lieder: Ich bin der Welt abhanden gekommen" by Gustav Mahler, Magdalena Kozená, Berliner Philharmoniker, Sir Simon Rattle was released on January 1, 2012. Since Rückert-Lieder: Ich bin der Welt abhanden gekommen is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Magdalena Kozená, Berliner Philharmoniker, Sir Simon Rattle's "Love and Longing - Ravel / Dvorák / Mahler" album is number 18 out of 18. Rückert-Lieder: Ich bin der Welt abhanden gekommen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rückert-Lieder: Ich bin der Welt abhanden gekommen by Gustav Mahler, Magdalena Kozená, Berliner Philharmoniker, Sir Simon Rattle to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
4 Songs, Op. 39: No. 4, Les roses d'Ispahan | Gabriel Fauré, Susanna Phillips, Myra Huang | A Major | 1 | 11B | 86 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
Stabat Mater, FP 148: 1. Stabat Mater dolorosa | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | ||
Lieder (Duette), Op. 63: II. Abschiedslied der Zugvögel | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | E♭ Major | 1 | 5B | 167 BPM | ||
Paride ed Elena / Act 1: "O del mio dolce ardor" | Christoph Willibald Gluck, Anne Sofie von Otter, Paul Goodwin, The English Concert, Trevor Pinnock | E Minor | 1 | 9A | 133 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" | Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | A♭ Major | 0 | 4B | 83 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM |