"Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester was released on October 7, 2016. With this song being about 5 minutes long, at 4:56, "Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland"" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 21 in Bach & Telemann: Sacred Cantatas by Philippe Jaroussky. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Telemann: Jesus liegt in letzten Zügen, TWV 1:983: No. 3, Arie. "Mein liebster Heiland" by Georg Philipp Telemann, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) | Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti | B Major | 1 | 1B | 84 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Traetta: L'Olimpiade, Act 2: "Dove son? Che m’avenne?" (Licida) | Tommaso Traetta, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" | Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im, Marie-Claude Chappuis | A Major | 1 | 11B | 97 BPM | ||
Oboe Concerto in D Minor, S. Z799: III. Presto | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 3 | 12A | 70 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Telemann: Der getreue Music-Meister, No. 45, Sonata for Viola da gamba in D Major, TWV 40:1: III. Recitativo - Anadante arioso | Georg Philipp Telemann, Sarah Cunningham | D♭ Major | 1 | 3B | 139 BPM | ||
Purcell: The Tempest, Z. 631, Act III: Song. "Dry Those Eyes" (Ariel) | Henry Purcell, John Eliot Gardiner, Carol Hall, Monteverdi Orchestra | A♭ Minor | 1 | 1A | 141 BPM | ||
Vivaldi: Gloria in D Major, RV 589: III. Laudamus te | Antonio Vivaldi, Teresa Berganza, Lucia Valentini Terrani, New Philharmonia Chorus, New Philharmonia Orchestra, Riccardo Muti | D Major | 4 | 10B | 119 BPM | ||
Handel: Partenope, HWV 27: Ouverture: II. Allegro | George Frideric Handel, Philippe Jaroussky, Riccardo Minasi, Il Pomo D'oro | B Major | 4 | 1B | 116 BPM |