Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im, Marie-Claude Chappuis's 'La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto"' came out on August 15, 2007. The duration of La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, René Jacobs's "Mozart: La clemenza di Tito" album is number 15 out of 46. In terms of popularity, La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Clemenza di Tito: Atto primo, scena V. No.7 Duetto Annio, Servilia "Ah perdona il primo affetto" by Wolfgang Amadeus Mozart, Freiburger Barockorchester, René Jacobs, Sunhae Im, Marie-Claude Chappuis to be Andante (at a walking pace) because the track has a tempo of 97 テンポ, a half-time of 48テンポ, and a double-time of 194 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Coro: Torna, o bella, al tuo consorte | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | F Major | 1 | 7B | 131 BPM | ||
Dido & Aeneas, Z. 626: Dido & Aeneas, Z. 626: Act III, "When I am laid in earth" (Dido's lament) | Henry Purcell, Lynne Dawson, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 134 BPM | ||
Idomeneo, re di Creta, K.366 / Act 3: "Andrò ramingo e solo" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Heidi Grant Murphy, Plácido Domingo, Carol Vaness, Metropolitan Opera Orchestra, James Levine | E♭ Major | 2 | 5B | 84 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: I. Vivace | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | D♭ Minor | 4 | 12A | 102 BPM | ||
Orfeo ed Euridice: Act I, Scene 1, Orfeo: Basta, basta, o compagni! | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, Bernarda Fink | C Major | 0 | 8B | 86 BPM | ||
Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: Concerto for Cello and Orchestra in C Major, Hob.VIIb:1: I. Moderato | Franz Joseph Haydn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E Minor | 1 | 9A | 134 BPM | ||
Concerto No. 4 in G major, BWV 1049: I. Allegro | Johann Sebastian Bach, Freiburger Barockorchester | F Major | 2 | 7B | 99 BPM | ||
Missa Solemnis in D Major, Op. 123: III. Credo: Credo | Ludwig van Beethoven, Nikolaus Harnoncourt, Concentus Musicus Wien | D Minor | 1 | 7A | 136 BPM | ||
Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda) | Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs | F♯ Major | 1 | 2B | 92 BPM | ||
Orfeo ed Euridice: Act I, Scene 2, Amore: Gli sguardi trattieni | Christoph Willibald Gluck, René Jacobs, Maria Cristina Kiehr, Freiburger Barockorchester | B Minor | 0 | 10A | 70 BPM |