Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs's 'Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda)' came out on 2003. With this song being about 5 minutes long, at 4:48, "Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda)" by Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 62 in the song's album "Scarlatti: Griselda, Op. 114". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. In terms of popularity, Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Griselda, Op. 114, Atto Secondo, Scena 1: Aria. Mi rivedi, o selva ombrosa (Griselda) by Alessandro Scarlatti, Dorothea Röschmann, Akademie für Alte Musik Berlin, René Jacobs having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ein deutsches Requiem (A German Requiem), Op. 45: VII. Selig sind die Toten | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 1 | 7B | 134 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Dido and Aeneas / Act 3: "Your counsel all is urged in vain...But death, alas" | Henry Purcell, Jessye Norman, Marie McLaughlin, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 86 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] | William Christie | F Minor | 0 | 4A | 104 BPM | ||
The Lord is a sun and a shield: No. 1, Chorus "The Lord is a sun and a shield" | William Croft, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | E♭ Minor | 3 | 2A | 123 BPM | ||
La clemenza di Tito, K. 621 / Act 2: "Ecco il punto, oh Vitellia" - "Non più di fiori" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Peter Schmidl, Vienna Chamber Orchestra, György Fischer | E♭ Major | 1 | 5B | 141 BPM | ||
Artaserse (added aria by Johann Adolf Hasse) : "Or la nube procellosa" | Nicola Porpora, Akademie für Alte Musik Berlin, René Jacobs, Vivica Genaux | A♭ Major | 2 | 4B | 101 BPM | ||
Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM |