Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini made "Maddalena ai piedi di Cristo: No. 1 Sinfonia" available on 1996. The duration of Maddalena ai piedi di Cristo: No. 1 Sinfonia is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Maddalena ai piedi di Cristo: No. 1 Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 59 in Caldara: Maddalena ai piedi di Cristo by Antonio Caldara, René Jacobs. The popularity of Maddalena ai piedi di Cristo: No. 1 Sinfonia is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Maddalena ai piedi di Cristo: No. 1 Sinfonia by Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini is Vivace (lively and fast), since this song has a tempo of 170 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
Venus & Adonis, Act I: The Act Tune | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | F♯ Minor | 1 | 11A | 77 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: III. Grave | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | B Major | 0 | 1B | 87 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | D Major | 0 | 10B | 192 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: III. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 123 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM |