"Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice)" by Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti was released on March 3, 2017. The duration of Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philippe Jaroussky's "La storia di Orfeo" album is number 17 out of 25. Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sartorio: L'Orfeo, Act 3: "Orfeo tu dormi?" (Euridice) by Antonio Sartorio, Philippe Jaroussky, Emőke Baráth, Diego Fasolis, I Barocchisti to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Pergolesi: Stabat mater: XII. Quando corpus morietur | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Minor | 0 | 8A | 73 BPM | ||
Concerto in D Minor: II. Adagio | Alessandro Marcello, Omar Zoboli, Diego Fasolis | F♯ Major | 2 | 2B | 91 BPM | ||
Festino nella sera del giovedi grasso avanti cena, Op. 18: XII. Contrappunto bestiale alla mente | Adriano Banchieri, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Diego Fasolis | C Major | 2 | 8B | 135 BPM | ||
Le Donne Vendicate, Part II Scene 2: Per esempio, se il nemico (Ferramonte) | Niccolò Piccinni, Diego Fasolis, I Barocchisti, Mauro Buda, Sylva Pozzer | B Major | 3 | 1B | 94 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Mia fiamma, mio ardore" (Anfione, Niobe) | Agostino Steffani, Philippe Jaroussky, Karina Gauvin, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Orchestra | D Minor | 1 | 7A | 168 BPM | ||
All'imperio d'Amore: 8. Non havea Febo ancora a voce sola | Antonio Brunelli, Ensemble Pygmalion, Renato Dolcini, Raphael Pichon | G Major | 4 | 9B | 133 BPM | ||
Pergolesi: Stabat Mater: VII. Eia Mater | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Minor | 1 | 9A | 131 BPM | ||
Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) | Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | E♭ Minor | 1 | 2A | 58 BPM | ||
Vespro della Beata Vergine, SV 206: Psalmus "Nisi Dominus" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Adrien Mabire, Marouan Mankar-Bennis, Pierre Gallon | B♭ Major | 2 | 6B | 129 BPM |