Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore)

Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge
Forgotten Arias - Gluck: Il re pastore: "Sol può dir come si trova"
6:46 2023年10月13日
テンポ
58
キー
E♭ Minor
キャメロットミュージックキー
2A

リンクを埋め込む

共有

Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) - Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge 情報

音響性
99%
ダンサビリティ
22%
エネルギー
7%
手段性
0%
活気
12%
ラウドネス
65%
話し言葉
4%
価数
10%
人気
ラウドネス
-21.252 dB

まとめ

"Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore)" by Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge was released on October 13, 2023. Since Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Forgotten Arias - Gluck: Il re pastore: "Sol può dir come si trova" and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) テンポ

The tempo marking of Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) by Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is Lento (slowly), since this song has a tempo of 58 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) キー

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Viola da Gamba Suite in D Minor: I. Arpeggiata by Carl Friedrich Abel, Paolo PandolfoViola da Gamba Suite in D Minor: I. ArpeggiataCarl Friedrich Abel, Paolo PandolfoD♭ Minor012A95 BPM
Conti: Don Chisciotte in Sierra Morena, Act 4: Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando)Francesco Bartolomeo Conti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oroB Major31B125 BPM
Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio by Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol MattConcerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. AdagioTomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol MattB♭ Major16B93 BPM
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles by Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble BaselLes indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisiblesJean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble BaselF♯ Minor311A87 BPM
Niobe, regina di Tebe: Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore"Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I BarrochistiE♭ Minor12A105 BPM
Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda...When I am laid in earth - Bonus Track by Henry Purcell, Sonya Yoncheva, Alessandro De MarchiDido and Aeneas, Z. 626, Act III: Thy hand, Belinda...When I am laid in earth - Bonus TrackHenry Purcell, Sonya Yoncheva, Alessandro De MarchiF♯ Minor011A171 BPM
Rodelinda, regina de' Langobardi (Act 1): L'empio rigor del fato by Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca QuintavalleRodelinda, regina de' Langobardi (Act 1): L'empio rigor del fatoCarl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca QuintavalleE♭ Major25B123 BPM
Mass, Op. 12: V. Panis Angelicus by César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry EscaichMass, Op. 12: V. Panis AngelicusCésar Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry EscaichF Major17B137 BPM
Don Juan ou le Festin de pierre, Wq. 52: Sinfonia by Christoph Willibald Gluck, Jordi Savall, Le Concert Des NationsDon Juan ou le Festin de pierre, Wq. 52: SinfoniaChristoph Willibald Gluck, Jordi Savall, Le Concert Des NationsD♭ Major23B120 BPM
La Clemenza di Tito: Se mai senti spirarti sul volto by Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard ForckLa Clemenza di Tito: Se mai senti spirarti sul voltoChristoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard ForckD Major110B91 BPM
ISRC
GBAYC2300961
レコードレーベル
L-M Records/RCA Records