"Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore)" by Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge was released on October 13, 2023. Since Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Forgotten Arias - Gluck: Il re pastore: "Sol può dir come si trova" and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gluck: Il re pastore, Act 3: "Sol può dir come si trova" (Agenore) by Christoph Willibald Gluck, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge is Lento (slowly), since this song has a tempo of 58 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Minor: I. Arpeggiata | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 95 BPM | ||
Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando) | Francesco Bartolomeo Conti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | B Major | 3 | 1B | 125 BPM | ||
Concerto a cinque in D Minor for Solo Oboe and Strings, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Stefan Schilli, Stuttgart Kammerorchester, Nicol Matt | B♭ Major | 1 | 6B | 93 BPM | ||
Les indes galantes / Nouvelle Entrée: Les Sauvages Scène 6: Danse du Grand Calumet de la Paix (Rondeau) - Forêts paisibles | Jean-Philippe Rameau, Patricia Petibon, Kevin Greenlaw, La Cetra Barockorchester Basel, Andrea Marcon, La Cetra Vocalensemble Basel | F♯ Minor | 3 | 11A | 87 BPM | ||
Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis, I Barrochisti | E♭ Minor | 1 | 2A | 105 BPM | ||
Dido and Aeneas, Z. 626, Act III: Thy hand, Belinda...When I am laid in earth - Bonus Track | Henry Purcell, Sonya Yoncheva, Alessandro De Marchi | F♯ Minor | 0 | 11A | 171 BPM | ||
Rodelinda, regina de' Langobardi (Act 1): L'empio rigor del fato | Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle | E♭ Major | 2 | 5B | 123 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Don Juan ou le Festin de pierre, Wq. 52: Sinfonia | Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations | D♭ Major | 2 | 3B | 120 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM |