Francesco Bartolomeo Conti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro made "Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando)" available on November 8, 2019. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 18 in Facce d'amore by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Based on our statistics, Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Conti: Don Chisciotte in Sierra Morena, Act 4: "Odio, vendetta, amore" (Fernando) by Francesco Bartolomeo Conti, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: VI. Loure | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Missa Paschalis, ZWV 7: Credo. Amen come nel gloria | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 3 | 3B | 178 BPM | ||
Mandolin Sonata: III. Sarabanda | Francesco Bartolomeo Conti, Artemandoline | B Major | 4 | 1B | 145 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 12, Gib Dich zufrieden und sei stille, BWV 510 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Médée, H. 491, Prologue: Canaries | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Minor | 1 | 6A | 93 BPM | ||
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": X. Canarie. Die lustigen Bots Leute | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 1 | 1B | 110 BPM | ||
When Saul was king: II. How are the mighty fallen | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music, Helen Charlston, Guy Cutting | B Minor | 2 | 10A | 71 BPM | ||
V. Behalte nur, o Welt, das Meine! (Recitative) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Erika Tandiono | C Minor | 1 | 5A | 79 BPM |