"2. Notenbüchlein für Anna Magdalena Bach: I. No. 12, Gib Dich zufrieden und sei stille, BWV 510" by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto was released on April 26, 2024. With 2. Notenbüchlein für Anna Magdalena Bach: I. No. 12, Gib Dich zufrieden und sei stille, BWV 510 being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 10 out of 42. On top of that, Sweden appears to be the country where this track was created. 2. Notenbüchlein für Anna Magdalena Bach: I. No. 12, Gib Dich zufrieden und sei stille, BWV 510 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2. Notenbüchlein für Anna Magdalena Bach: I. No. 12, Gib Dich zufrieden und sei stille, BWV 510 by Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Johannes-Passion, BWV 245.1: 2. Recitativo: Jesus ging mit seinen Jüngern | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Magnificat in D Major, BWV 243: XII. Chorus. Gloria Patri, gloria filio | Johann Sebastian Bach, Nikolaus Harnoncourt, Concentus Musicus Wien, Chorus Viennensis, Vienna Boys' Choir | F♯ Minor | 2 | 11A | 121 BPM | ||
Cantate Sehet, Welch Eine Liebe Bwv 64 | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 172 BPM | ||
Bach, JS: Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus Tragicus": No. 2, Chöre, Arioso und Aria. "Gottes Zeit ist die allerbeste Zeit" | Johann Sebastian Bach, Gustav Leonhardt, Leonhardt-Consort | F♯ Major | 1 | 2B | 77 BPM | ||
I. Wachet Auf, Ruft Uns Die Stimme BWV 140, (4) Choral (Tenore): Zion Hört Die Wächter Singen | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Pieter Jan Leusink | D Major | 0 | 10B | 166 BPM | ||
Die güldene Sonne bringt Leben und Wonne | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 1 | 11B | 96 BPM | ||
4. Aria: Du Held | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | F Minor | 2 | 4A | 168 BPM | ||
Weinen, Klagen, Sorgen, Zagen, BWV 12: Aria. Ich folge Christo nach (Bass) | Johann Rudolf Ahle, Concerto Palatino, Bach Collegium Japan, Masaaki Suzuki | A♭ Major | 1 | 4B | 76 BPM | ||
Languet anima mea BWV deest 1006: III. Recitativo: Amoris tui iaculo | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM |