Athesinus Consort Berlin, Klaus-Martin Bresgott's 'Die güldene Sonne bringt Leben und Wonne' came out on November 27, 2023. The duration of Die güldene Sonne bringt Leben und Wonne is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Die güldene Sonne bringt Leben und Wonne's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 3 in Choral:Gut - Drei Morgenlieder by Klaus-Martin Bresgott, Athesinus Consort Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Die güldene Sonne bringt Leben und Wonne is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die güldene Sonne bringt Leben und Wonne by Athesinus Consort Berlin, Klaus-Martin Bresgott is Andante (at a walking pace), since this song has a tempo of 96 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
German Mass, D.872: Transubstantiation: Betrachtend deine Huld und Güte | Franz Schubert, Vienna Boys' Choir, Chorus Viennensis, Rudolf Scholz, Wiener Symphoniker, Uwe Christian Harrer | D Major | 0 | 10B | 124 BPM | ||
St. Matthew Passion, BWV 244: Pt. I: Chorale. Erkenne mich, mein Huter (Chorus) | Johann Sebastian Bach, Magda Kalmár, Julia Hamari, Zeger Vandersteene, Dénes Gulyás, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Franz Liszt Chamber Orchestra, Frigyes Sándor | D Major | 1 | 10B | 88 BPM | ||
Christ lag in Todesbanden: IVe. Aria "Den hat schon Christus vor der Welt" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Edward Grint | E Major | 4 | 12B | 101 BPM | ||
Ich fahre auf zu meinem Vater, TWV 1:825: IV. Recitative "Denn eben darum setzte sich mein Jesu" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | F♯ Major | 2 | 2B | 137 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: II. Vivace | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | ||
Missa Divi Xaverii, ZWV 12: Kyrie eleison II | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | D♭ Minor | 1 | 12A | 107 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Kyrie eleison | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
In tribulationibus, in angustiis: No. 4, Hic spirant lenite | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Schauet doch und sehet, BWV 46: No. 5, Doch Jesus will auch bei der Strafe | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart, Elvira Bill | B Major | 1 | 1B | 94 BPM |