On June 22, 2024, the song "Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: II. Vivace" was released by Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Recorder Music on Original Instruments: Parcham, van Eyck, Lœillet, Dieupart & Telemann". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: II. Vivace is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: II. Vivace by Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt having a テンポ of 117 with a half-time of 58 テンポ and a double-time of 234 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Etudes, Op. 111: IIIb. Fugue. Moderato espressivo | Camille Saint-Saëns, Piers Lane | C Major | 1 | 8B | 91 BPM | ||
Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement | François Couperin, Pierre Gallon, Matthieu Boutineau | E♭ Major | 4 | 5B | 125 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: II. Vivace | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | A Major | 2 | 11B | 121 BPM | ||
Bigalgia: Recorder Sonata in A Minor: I. Adagio | Diogenio Bigaglia, Frans Brüggen, Anner Bylsma, Gustav Leonhardt | A Major | 2 | 11B | 117 BPM | ||
Handel: Recorder Sonata in C Major, Op. 1 No. 7, HWV 365: IV. A tempo di gavotta | George Frideric Handel, Frans Brüggen, Anner Bylsma, Gustav Leonhardt | C Major | 2 | 8B | 126 BPM | ||
Sonata sesta in G Major: IV. Vivace | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM | ||
Symphony No. 4 in D Minor, Op. 120 (Revised Version): I. Ziemlich langsam - Lebhaft [Live at Vredenburg, Utrecht, 8/30/2003] | Robert Schumann, Orchestra Of The 18th Century, Frans Brüggen | E Major | 1 | 12B | 147 BPM | ||
Trio Sonata in A Major, A02: I. Andantino | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Sonata No. 12 in G Minor: II. Allegro | Francesco Mancini, Claudio Ferrarini | G Major | 4 | 9B | 133 BPM | ||
Bach, C.P.E.: Cello Concerto No. 1 in A Minor, Wq. 170, H. 432 (Cadenzas by Anner Bylsma): II. Andante | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | E Minor | 0 | 9A | 140 BPM |