On March 15, 2024, the song "Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement" was released by François Couperin, Pierre Gallon, Matthieu Boutineau. The duration of Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 26 in Couperin: Concerts Royaux by François Couperin, Pierre Gallon, Matthieu Boutineau. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Concert Royal No. 1 in G (Version for 2 Harpsichords): II. Allemande. Légèrement by François Couperin, Pierre Gallon, Matthieu Boutineau is Allegro (fast, quick, and bright), since this song has a tempo of 125 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Les Juméles (12e ordre) | François Couperin, Alexandre Tharaud | E Major | 0 | 12B | 69 BPM | ||
Mandolin Concerto in D Major: II. Andantino | Emanuele Barbella, Avi Avital, Il Giardino Armonico, Giovanni Antonini | F Major | 2 | 7B | 95 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Poulenc: Cello Sonata, FP 143: II. Cavatine | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F♯ Major | 0 | 2B | 77 BPM | ||
Berceuse, Op. 2 | Dora Pejačević, Natasa Veljkovic | E Minor | 3 | 9A | 153 BPM | ||
Les Nations - Premier Ordre - La Françoise; 2. Allemande | Jordi Savall, François Couperin | E♭ Minor | 2 | 2A | 119 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM |