"Bach, C.P.E.: Cello Concerto No. 1 in A Minor, Wq. 170, H. 432 (Cadenzas by Anner Bylsma): II. Andante" by Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt was released on 1989. Since Bach, C.P.E.: Cello Concerto No. 1 in A Minor, Wq. 170, H. 432 (Cadenzas by Anner Bylsma): II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 24 in C. P. E. Bach - Symphonies & Cello Concertos by Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt. Based on our statistics, Bach, C.P.E.: Cello Concerto No. 1 in A Minor, Wq. 170, H. 432 (Cadenzas by Anner Bylsma): II. Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, C.P.E.: Cello Concerto No. 1 in A Minor, Wq. 170, H. 432 (Cadenzas by Anner Bylsma): II. Andante by Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Keyboard Concerto in E-Flat Major, Op. 7. No. 5, W. C59: II. Andante | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | C Minor | 0 | 5A | 84 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 2 | 10B | 109 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM |