Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks's 'Missa Divi Xaverii, ZWV 12: Kyrie eleison II' had a release date set for March 25, 2016. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Missa Divi Xaverii, ZWV 12: Kyrie eleison II's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zelenka: Missa Divi Xaverii, ZWV 12 & Litaniae de Sancto Xaverio, ZWV 156 by Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks. The song's track number on the album is #3 out of 32 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Missa Divi Xaverii, ZWV 12: Kyrie eleison II is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Missa Divi Xaverii, ZWV 12: Kyrie eleison II by Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Lucille Richardot, Collegium Vocale 1704, Collegium 1704, Vaclav Luks has a tempo of 107 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Missa Divi Xaverii, ZWV 12: Kyrie eleison II being at 107 テンポ, the half-time would be 54 テンポ with a double-time of 214 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, ZWV 30: I. Gloria | Jan Dismas Zelenka, Lucía Caihuela, Kamila Mazalová, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | B Major | 1 | 1B | 112 BPM | ||
De Profundis, ZWV 50: No. 3 Sustinuit | Jan Dismas Zelenka, Daniel Taylor, Tilman Lichdi, Barockorchester Stuttgart, Frieder Bernius | A♭ Major | 2 | 4B | 91 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Great minds against themselves conspire" | Henry Purcell, Dominique Visse, John Bowen, Stephen Wallace, Lynne Dawson, Susan Bickley, René Jacobs, Maria Cristina Kiehr, Gerald Finley, Orchestra of the Age of Enlightenment, Robin Blaze, Rosemary Joshua | F♯ Minor | 1 | 11A | 75 BPM | ||
Litaniae de Sancto Xaverio, ZWV 156: Tuba resonans | Jan Dismas Zelenka, Hana Blaziková, Kamila Mazalová, Václav Čížek, Stephan MacLeod, Collegium 1704, Vaclav Luks | E Major | 3 | 12B | 121 BPM | ||
テレマン: フルート、シャリュモー、オーボエと2台のコントラバスのための協奏曲 ト長調 〜第3楽章 | Georg Philipp Telemann, 有田正広, ラ・ストラヴァガンツァ・ケルン | F♯ Major | 5 | 2B | 136 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Jauchzet Gott in allen Landen, BWV 51: I. Jauchzet Gott in allen Landen (Aria) | Johann Sebastian Bach, Ensemble BachWerkVokal, Gordon Safari | B Major | 3 | 1B | 92 BPM |