Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas made "Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus" available on January 5, 2024. With Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 28 in Charpentier & Desmarest: Te Deum by Ensemble les Surprises, Louis-Noël Bestion de Camboulas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum "de Lyon": IV. Te martyrum candidatus laudat exercitus by Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria in D Major, RV 589: IX. Qui tollis | Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus | E Minor | 2 | 9A | 128 BPM | ||
Ariette, K. 307 ‟Oiseaux si tous les ans" | Wolfgang Amadeus Mozart, Marie Perbost, Louis-Noël Bestion de Camboulas | B Major | 1 | 1B | 135 BPM | ||
Stabat Mater, P. 77: XI. Inflammatus | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM | ||
Ballet de la naissance de Vénus, LWV 27: Sarabande dieu des Enfers | Jean-Baptiste Lully, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 3 | 3B | 125 BPM | ||
In Windsor Forest: No. 2, Drinking Song | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | G Major | 1 | 9B | 79 BPM | ||
Amadis, LWV 63: Air "Toi qui dans ce tombeau" | Jean-Baptiste Lully, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | E♭ Major | 2 | 5B | 174 BPM | ||
Vénus & Adonis: Overture | Henri Desmarets, Les Talens Lyriques, Christophe Rousset, Chœur de l'Opéra national de Lorraine, Karine Deshayes, Sebastien Droy, Henk Neven, Anna Maria Panzarella, Ingrid Perruche, Jean Teitgen, Anders J. Dahlin | F Major | 2 | 7B | 112 BPM | ||
Laudate pueri, HWV 237: VII. Qui habitare facit | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Oro supplex | Giovanni Legrenzi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 1 | 3A | 105 BPM |