Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini's 'In tribulationibus, in angustiis: No. 4, Hic spirant lenite' had a release date set for June 21, 2024. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. In tribulationibus, in angustiis: No. 4, Hic spirant lenite's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "Stradella: Mottetti". In this album, this song's track order is #9. Furthermore, we believe that the track originated from France. In terms of popularity, In tribulationibus, in angustiis: No. 4, Hic spirant lenite is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In tribulationibus, in angustiis: No. 4, Hic spirant lenite by Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sistite sidera, coeli motus otiamini: No. 1, Introduzione, "Sistite sidera, coeli motus otiamini" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Membra Jesu nostri, BuxWV 75: VIIc. Ad faciem: Dum me mori est necesse | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Convocamini, congregamini: No. 2, Huius cruore (Lucifero, 3 Spiriti d’Inferno) | Rinaldo Alessandrini, Concerto Italiano, Gabriele Lombardi, Andrés Montilla, Luca Cervoni | A Major | 3 | 11B | 93 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Ariette "D'amor per te languisco", H. 767, Wq. 213 | Carl Philipp Emanuel Bach, Chantal Santon Jeffery, Jean Brégnac, Nicolas Bouils, Jennifer Hardy, Yoann Moulin | B♭ Minor | 3 | 3A | 69 BPM | ||
Te Deum: XI. Miserere nostri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
F7.15: Se l'aura Spira Tutta Vezzosa | Girolamo Frescobaldi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Mass in B Minor, BWV 232: 12. Benedictus | Johann Sebastian Bach, Christoph Prégardien, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 4 | 3B | 180 BPM | ||
Domine ad adiuvandum me festina, RV 593: III. Sicut erat in principio | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | G Major | 4 | 9B | 114 BPM |