"Te Deum: XI. Miserere nostri" by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music was released on May 24, 2024. With Te Deum: XI. Miserere nostri being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music's "How Are The Mighty Fallen: Choral Music by Giovanni Bononcini" album is number 12 out of 27. On top of that, United Kingdom appears to be the country where this track was created. Te Deum: XI. Miserere nostri is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Te Deum: XI. Miserere nostri by Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When Saul was king: V. Howl, O ye fir-trees | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
In tribulationibus, in angustiis: No. 6, Aria, "O gratum montem" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla, Monica Piccinini | A Major | 3 | 11B | 93 BPM | ||
Dhabitude | Channing Geoffrey | E Minor | 2 | 9A | 107 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Requiem in C Minor: VI. Pie Jesu | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | F Minor | 0 | 4A | 76 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM |