Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi's 'Missa Quadragesimalis, MH 552: Sanctus' came out on July 15, 2014. With Missa Quadragesimalis, MH 552: Sanctus being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 18 out of 28. On top of that, Hungary appears to be the country where this track was created. Missa Quadragesimalis, MH 552: Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Quadragesimalis, MH 552: Sanctus by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Andante (at a walking pace) because the track has a tempo of 84 テンポ, a half-time of 42テンポ, and a double-time of 168 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleison | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | B Minor | 3 | 10A | 110 BPM | ||
Te Deum: II. Te Deum Laudamus | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 2 | 3B | 111 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: IX. Domine salvum | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 3 | 12A | 93 BPM | ||
Requiem in B-Flat Major, MH 838: XIV. Lux aeterna | Michael Haydn, Lydia Teuscher, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Beatus vir, ZWV 75: Gloria Patri - After Psalm 111 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | A♭ Minor | 1 | 1A | 103 BPM | ||
Messa Della Domenica: Kyrye IV | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad pedes] | Dietrich Buxtehude, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Ricercar Consort, Matthias Vieweg | D♭ Major | 3 | 3B | 114 BPM | ||
Mass No. 3 in C Major, Hob.XXII:5, "Missa Cellensis in honorem BVM", "Cacilienmesse": Kyrie: Kyrie eleison: Largo - Allegro | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | E Minor | 3 | 9A | 99 BPM | ||
Tenebrae factae sunt, MH 162 | Michael Haydn, MDR Leipzig Radio Chorus, Philipp Ahmann | E♭ Major | 0 | 5B | 76 BPM | ||
Te Deum "de Lyon": VII. Tu rex gloriæ, Christe | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Eugénie Lefebvre | B♭ Major | 4 | 6B | 106 BPM |