On May 10, 2024, the song "Mandolin Sonata: III. Sarabanda" was released by Francesco Bartolomeo Conti, Artemandoline. The duration of Mandolin Sonata: III. Sarabanda is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Mandolin Sonata: III. Sarabanda's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "The Mandolin in London". In this album, this song's track order is #31. Furthermore, we believe that the track originated from Germany. Based on our statistics, Mandolin Sonata: III. Sarabanda's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mandolin Sonata: III. Sarabanda by Francesco Bartolomeo Conti, Artemandoline having a テンポ of 145 with a half-time of 72 テンポ and a double-time of 290 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: The Fairy Queen, Z. 629, Act III: Duet with Chorus. "A Thousand, Thousand Ways" | Henry Purcell, Amsterdam Baroque Orchestra, Ton Koopman, Amsterdam Baroque Choir, Donald Bentvelsen, Marcel Reyans | B Minor | 0 | 10A | 78 BPM | ||
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
Missa Sancti Pauli: No. 24, Hosanna | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 121 BPM | ||
Nisi Dominus, RV 608: II. Vanum est vobis | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
The Triumphs of Hibernia: Let Earth and Air and Ocean | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Ho vinto, Amor | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite | B♭ Minor | 0 | 3A | 110 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 19, Mein Jesu! was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
Mandolin Sonata: IV. Minuetto | Francesco Bartolomeo Conti, Artemandoline | B Major | 4 | 1B | 145 BPM | ||
Missa Sancti Pauli: No. 12, Quoniam tu solus sanctus | Francesco Bartolomeo Conti, Adriána Kalafszky, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Minor | 3 | 7A | 121 BPM |