"Ho vinto, Amor" by Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite was released on May 10, 2024. The duration of Ho vinto, Amor is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Ho vinto, Amor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ho vinto, Amor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ho vinto, Amor by Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626, Act III: When I am laid | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | F♯ Minor | 2 | 11A | 94 BPM | ||
Dido and Aeneas, Z. 626, Act I: Ah! Belinda | Henry Purcell, La Nuova Musica, David Bates, Fleur Barron | B Minor | 2 | 10A | 72 BPM | ||
Alla tromba della Fama | Baldassare Galuppi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 3 | 1B | 102 BPM | ||
Nisi Dominus, RV 608: VIII. Sicut erat in principio | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Traetta: L'Olimpiade, Act 2: "Dove son? Che m’avenne?" (Licida) | Tommaso Traetta, Philippe Jaroussky, Julien Chauvin, Le Concert de la Loge | D Major | 1 | 10B | 65 BPM | ||
Lamento della ninfa: II. Amor | Claudio Monteverdi, Ann Wallström, Stefan Lindvall, David Gammelgård, Anders Ericson, Mattias Frostenson, Fredrik Malmberg, Harmony of Voices | A♭ Minor | 1 | 1A | 68 BPM | ||
Médée, H. 491, Prologue: Trio et chœur. "Paraissez, charmante victoire" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, David Tricou, Fabien Hyon, Adrien Fournaison | B♭ Major | 2 | 6B | 179 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Piangono al pianger mio | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM |