Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski's 'Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso' came out on January 1, 1998. The duration of Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski's "Mondonville: 6 Sonates Op.3" album is number 14 out of 19. In terms of popularity, Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso by Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski to be Andante (at a walking pace) because the track has a tempo of 106 テンポ, a half-time of 53テンポ, and a double-time of 212 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia No. 1 in D Major (arrangement of oratorio sinfonia Il martirio di San Terenziano): I. A tempo guisto e staccato | Antonio Caldara, Bárbara Sela, Carlos Garcia-Bernalt, University of Salamanca Baroque Orchestra, Angel Sampedro | A♭ Minor | 3 | 1A | 120 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Symphony in F Major: II. Andante - III. Presto | Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 | E Major | 1 | 12B | 182 BPM | ||
Dardanus / Prologue: Marche pour les différentes nations (Gai) / "Par tes bienfaits, signale ta puissance" | Jean-Philippe Rameau, Chorus Of Les Musiciens Du Louvre, Les Musiciens du Louvre, Marc Minkowski | C Major | 1 | 8B | 120 BPM | ||
La Dame Blanche - Opéra-Comique En 3 Actes. Livret D'Eugène Scribe, D'après Walter Scott - Acte I - N°5 - Trio : Grand Dieu ! Grand Dieu ! (Jenny, Dickson, Georges) | François-Adrien Boieldieu, Marc Minkowski | D Major | 1 | 10B | 91 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Dardanus / Act 5: Chaconne | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | F Major | 1 | 7B | 135 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: VII. Menuet I - Menuet II | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Orfeo ed Euridice, Wq. 30 / Acte I: Ritournelle - Live | Christoph Willibald Gluck, Les Musiciens du Louvre, Marc Minkowski | D Minor | 2 | 7A | 98 BPM | ||
Sonate No. 1 (Six Sonates ex symphonies op. 3): 3.Gigha: Allegro | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 2 | 11A | 80 BPM |