Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700's 'Symphony in F Major: II. Andante - III. Presto' came out on June 9, 2023. The duration of Symphony in F Major: II. Andante - III. Presto is about 3 minutes long, at 3:26. Based on our data, "Symphony in F Major: II. Andante - III. Presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giuseppe Scarlatti, Dorothee Oberlinger's "Giuseppe Scarlatti: I portentosi effetti della Madre Natura" album is number 15 out of 59. On top of that, Germany appears to be the country where this track was created. The popularity of Symphony in F Major: II. Andante - III. Presto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony in F Major: II. Andante - III. Presto by Giovanni Battista Pergolesi, Dorothee Oberlinger, Ensemble 1700 to be Presto (very, very fast) because the track has a tempo of 182 テンポ, a half-time of 91テンポ, and a double-time of 364 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pergolesi: Flute Concerto in G Major, P. 33: III. Allegro spiritoso (Also Attributed to Paganelli) | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 119 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: VII. Gavotte | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Theodora, HWV 68, Pt. II: Symphony Of Soft Musick | George Frideric Handel, Arcangelo, Jonathan Cohen | D♭ Minor | 1 | 12A | 75 BPM | ||
Scylla et Glaucus, Op. 11: Prologue. Air gracieux pour les Peuples d’Amathonte | Jean-Marie Leclair, d’Albaret, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Minor | 0 | 1A | 133 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VII. Hornpipe | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 2 | 12A | 138 BPM | ||
Gray's Inn | Bülent Oral, Diego Leveric | E♭ Minor | 1 | 2A | 139 BPM | ||
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Violin Sonata in D Major, Op. 1 No. 13, HWV 371: IV. Allegro | George Frideric Handel, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM |