"La Dame Blanche - Opéra-Comique En 3 Actes. Livret D'Eugène Scribe, D'après Walter Scott - Acte I - N°5 - Trio : Grand Dieu ! Grand Dieu ! (Jenny, Dickson, Georges)" by François-Adrien Boieldieu, Marc Minkowski was released on 1997. La Dame Blanche - Opéra-Comique En 3 Actes. Livret D'Eugène Scribe, D'après Walter Scott - Acte I - N°5 - Trio : Grand Dieu ! Grand Dieu ! (Jenny, Dickson, Georges) is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 12 out of 35 in Boieldieu: La Dame Blanche by François-Adrien Boieldieu, Marc Minkowski, Orchestre de chambre de Paris. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, La Dame Blanche - Opéra-Comique En 3 Actes. Livret D'Eugène Scribe, D'après Walter Scott - Acte I - N°5 - Trio : Grand Dieu ! Grand Dieu ! (Jenny, Dickson, Georges) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Dame Blanche - Opéra-Comique En 3 Actes. Livret D'Eugène Scribe, D'après Walter Scott - Acte I - N°5 - Trio : Grand Dieu ! Grand Dieu ! (Jenny, Dickson, Georges) by François-Adrien Boieldieu, Marc Minkowski is Andante (at a walking pace), since this song has a tempo of 91 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Oboe Concerto in C Major - Arr. Benjamin: 4. Allegro giusto | Domenico Cimarosa, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | C Major | 1 | 8B | 108 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto. Con un poco di moto - (Performed in A Major) | Luigi Boccherini, Europa Galante, Fabio Biondi | F Major | 4 | 7B | 89 BPM | ||
Symphony No.5 in D Major: 1. Allegro ma non troppo - Allegro assai | William Boyce, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 131 BPM | ||
Jean de Paris: Overture | François-Adrien Boieldieu, Orchestra della Svizzera Italiana, Howard Griffiths | F Major | 2 | 7B | 112 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance Of The Furies | Christoph Willibald Gluck, Daniel Hope, Zurich Chamber Orchestra | D Minor | 4 | 7A | 153 BPM | ||
Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM |