Johann Sebastian Bach, Collegium Vocale Gent, Stephan MacLeod, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg Mammel's 'Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände"' came out on May 26, 2011. With Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 21 in Bach: Motetten, BWV 225-230 by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Komm, Jesu, komm, BWV 229: II. Aria "Drum schliess ich mich in deine Hände" by Johann Sebastian Bach, Collegium Vocale Gent, Stephan MacLeod, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Maria Keohane, Robin Blaze, Hans-Jörg Mammel is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren | Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan | E♭ Minor | 2 | 2A | 74 BPM | ||
III. Meine Seel Erhebt Den Herren BWV 10, 1. Coro: Meine Seel Erhebt Den Herren | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Ofer Frenkel, Pieter Jan Leusink | B Minor | 3 | 10A | 89 BPM | ||
Mass in B Minor, BWV 232 / Credo: Et in Spiritum Sanctum | Johann Sebastian Bach, Lloyd Morgan, English Baroque Soloists, John Eliot Gardiner, Sophia McKenna, Valerie Darke | A♭ Major | 0 | 4B | 86 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: VII. Arie "Rollend in schäumenden Wellen" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen | F Major | 1 | 7B | 81 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 61a. Evangelista, Jesus "Und von der sechsten Stunde" - 61b. Chorus I "Der rufet dem Elias" - 61c. Evangelista "Und bald lief einer unter ihnen" - 61d. Chorus II "Halt, laß sehen" - 61e. Evangelista "Aber Jesus... | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Franz-Joseph Selig, Ian Bostridge | G Major | 0 | 9B | 74 BPM | ||
Die Schöpfung, Hob. XXI:2, Erster Teil: VI. Es sammle sich das Wasser" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen | G Major | 1 | 9B | 75 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM |