"Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren" by Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan was released on April 26, 2024. With this song being about 5 minutes long, at 4:46, "Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren" by Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan's "J.S. Bach - The Vocal Works" album is number 9 out of 42. On top of that, Sweden appears to be the country where this track was created. Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Jauchzet dem Herrn alle Welt, BWV Anh. 160: II. No. 2, Chorale: Sei Lob und Preis mit Ehren by Georg Philipp Telemann, Johann Sebastian Bach, Masaaki Suzuki, Bach Collegium Japan to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Faust: Act II: Adagio | Louis Spohr, Boje Skovhus, Franz Hawlata, Robert Swensen, Hillevi Martinpelto, Alfred Reiter, Rodrigo Orrego, Ulrich Wand, Brigitte Wohlfarth, Christoph Spath, Martina Borst, Stuttgart Sudfunkchor, South West German Radio Kaiserslautern Orchestra, Klaus Arp | A♭ Major | 3 | 4B | 99 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Ouvertüre C-dur "Hamburger Ebb und Flut" TWV 55:C3: Grave | Georg Philipp Telemann, Maurice Steger, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 133 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 1, Was ist das Herz? Ein finst'rer Ort | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Christ lag in Todesbanden: III. Coro "Alleluja es ist Victoria" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, For The Feast Of John Baptist, Am Sonntag Cantate, Prima Parte: Choral (Coro), Eine Stimme Läßt Sich Hören | Pieter Jan Leusink, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Louis Van Emmerik, Doretthe Janssens, Holland Boys Choir; Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Oeds Van Middelkoop, Peter Frankenberg, Susanne Grutzmacher | D♭ Major | 2 | 3B | 85 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Das befreite Israel, TWV 6:5: No. 1. Chor, "Laßt uns dem Herrn lobsingen" | Georg Philipp Telemann, Justus Friedrich Wilhelm Zachariae, Il Gardellino, Peter Van Heyghen | D♭ Major | 4 | 3B | 148 BPM |